They had reached the end of the street again. Joan held out her hand with a laugh. “Perhaps it’s wrong of me,” she said. “But it makes me so sad. And I can do nothing.”!

“Because you won’t be there,” he answered, “and without you I can’t do it. You think I’m always like I am to-night, bragging, confident. So I am when you are with me. You give me back my strength. The plans and hopes and dreams that were slipping from me come crowding round me, laughing and holding out their hands. They are like the children. They need two to care for them. I want to talk about them to someone who understands them and loves them, as I do. I want to feel they are dear to someone else, as well as to myself: that I must work for them for her sake, as well as for my own. I want someone to help me to bring them up.” The painted doll that the child fancied! the paint washed off and the golden hair all turned to drab? Could one be sure of “getting used to it,” of “liking it better?” And the poor bewildered doll itself! How could one expect to make of it a statue: “The Woman of the People.” One could only bruise it.

It was not until well on her way home that Joan, recalling the conversation, found herself smiling at Mary Stopperton’s literal acceptation of the argument. At the time, she remembered, the shadow of a fear had passed over her. She waited till they had reached a quiet road leading to the hills. “They do sometimes,” answered Hilda, “if you happen to be in the way, near the feeding troughs. If they’d only put all the refreshments into one room, one could avoid it. But they will scatter them about so that one never knows for certain whether one is in the danger zone or not. I hate a mob.”